The last time I worked on a feature that shot on actual film was back in 2009 (Five Time Champion), right as the Red One was becoming ubiquitous. We just wrapped an extraordinary project that shot in upstate New York, using an Arri 416. I was blown away at how quiet that camera was compared to my previous experience. The follow focus motor was more noticeable than the film cruising through the mag.

I’ll be able to talk more about this once they get further along in post, but it was the same folks who created Jockey and Transpecos.