Seemed really soon to be back in Las Vegas after COPS. Had a nice time interviewing some other magicians and former casino advisers. While the Strip does little for me, everyone should witness the spectacle at least once in person.

Short films are always 50lbs of crap in a 10lb bag, kind of like reality sizzles. Too much to do, never enough time or $$$. They are very nice to enjoy, however, weeks later when the dust has settled. I was doing a solid for Derek Franzese, a AD friend in town. One-man band, booming and bagging a mostly four person ensemble cast. My 633 handled it quite nicely.

Donned ye olde Kevlar once more for two weeks in Nevada. I’ve always wanted to visit Las Vegas, but I swore somebody would have to pay me to do it. Fortunately I was not assigned with Metro, so I didn’t have to wade through a sea of drunken adult children every night. Just your garden-variety of DV cases and tow truck hijinks.
**Update**
The passing of Bryce Dion was a tragic mess and it’s kind of amazing that nothing of this sort had happened in 27 years of producing the show. I had subbed for Bryce in Portland back in 2012, and I had only heard good things about him from police officers and other crew members.

Finally participated in the Moontower Comedy Festival. Covered a stand up showcase at the Velveeta and then a strange iPhone app ‘branding experience’ at the State Theater, featuring different comedians and even Puddles Pity Party, which was probably the best thing about it.

633 again, with a UH400A for board feed and UH400A and 416 for audience reaction.

Had the pleasure of a few days with esteemed news shooter, Jack Rayzor. We were doing live shots for MSNBC, including Chuck Todd’s morning program. The hill we were on could be none-windier and I found myself having to get creative to ensure adequate wind protection for the many folk we ushered through. Highlights included Graham Nash, Jim Brown, Maria Shriver, and Jesse Jackson, who wandered on to our little set to shake hands. It was a ‘pinch me’ week.

All wires with a boom in a zep for uh-ohs.

Another Horseman of Austin’s Apocalypse, The Circuit of the Americas racetrack out by the airport, has brought untold riches to a few chosen ones here. Had the opportunity to interview one of the track’s designers, literally on the track itself. It was Kevin Schwantz, I believe.

Simple, two-camera setup, all lavs.

Ah, the Magic Castle! Ever since I was working in LA, way back when as a puppeteer, I’ve always wanted to check it out. Turns out I got to spend most of a week there, taking in all the history. I even got to meet my hero, Dan Castallaneta, who couldn’t have been nicer. Coat and tie required, however. It was fun to be out there during Oscar time…

Richard Turner was doing several shows there, I wired him and bugged the table with two OST mics, as there was no time to wire the two helpers.

Shot out at Spiderwood Studios. All on the CMIT.

Judy Greer is Judy Great. That is all…

Had an unexpected, yet fun 11th-hour gig materialize today. It’s a food-related show featuring Anthony Anderson, who’s touring the US to visit unique individuals who’ve distinguished themselves in the culinary culture.

Simple setup, two wires, a smart slate and my trusty 664. Three DSLRs to shoot the demo.